Les Paul documentary on PBS American Masters
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Les Paul documentary on PBS American Masters
(* I posted this over in the look-a-like forum, SoCalSwing, last week by mistake and wondered why there were no replies. )
Les Paul documentary on PBS American Masters
Hey...this was good.
I came into it late and it was on last night. I do not even know if it i9s a new production, but there was toms of great audio and video of Les Paul and Mary Ford and highly credentialed people digging it the way you dig something amazing where you just shake your head or laugh b/c it is so damn good!
She was a local girl, IIRC, from Monrovia
Lots of footage of his recording studios and plenty of rock dudes from the later era who revered him for his playing and his pioneering use of over-dubbing and multi-tracking in the late 40s into he 50s.
The stuff they did in the 50s has such a happy and upbeat sound to it, plus all the artistry that LP and his wife MF tossed in. Their classic mega-monster golden hit on "How High the Moon" is likely my favorite. It was neat to see vocalist Kay Starr sitting there listening to the record and she is just speechless during that great part where MF is going up a half tone at a time and had over-dubbed her own voice singing her own harmonies. Just wonderful. I always crank that side up right at that spot - even higher than I play the whole recording.
If you do not know their work, check it out.
He is still alive at 90 plus years of age. She died way back in 1977. Pity.
Happy and good stuff!
Les Paul documentary on PBS American Masters
Hey...this was good.
I came into it late and it was on last night. I do not even know if it i9s a new production, but there was toms of great audio and video of Les Paul and Mary Ford and highly credentialed people digging it the way you dig something amazing where you just shake your head or laugh b/c it is so damn good!
She was a local girl, IIRC, from Monrovia
Lots of footage of his recording studios and plenty of rock dudes from the later era who revered him for his playing and his pioneering use of over-dubbing and multi-tracking in the late 40s into he 50s.
The stuff they did in the 50s has such a happy and upbeat sound to it, plus all the artistry that LP and his wife MF tossed in. Their classic mega-monster golden hit on "How High the Moon" is likely my favorite. It was neat to see vocalist Kay Starr sitting there listening to the record and she is just speechless during that great part where MF is going up a half tone at a time and had over-dubbed her own voice singing her own harmonies. Just wonderful. I always crank that side up right at that spot - even higher than I play the whole recording.
If you do not know their work, check it out.
He is still alive at 90 plus years of age. She died way back in 1977. Pity.
Happy and good stuff!
Will big bands ever come back?
He contributed oner element to the demise of big bands. It coulkd have gone either way.remysun wrote:Don't be mad, Eyeball, I saw it too, thanks to PBS HD. Great show.
Of course, you do know that he helped end the Big Band era, because electrical amplification let a trio put out as much sound as the big band, for a lot less.
In any event, it was a great documentary.
Will big bands ever come back?
I need to see it again. I was watching it with someone and trying to gauge their reactions to something that was brand new to them. They didn't get it at all. Nothing.
It gave me memories of listening to some 40s pop or Swing with a musician friend of mine and he would laugh in delight over some phrase or chord or modulation and say "Oh, man..." or "Did you hear that?" all excited....and sometimes I had no idea what was pleasing him so much.
It gave me memories of listening to some 40s pop or Swing with a musician friend of mine and he would laugh in delight over some phrase or chord or modulation and say "Oh, man..." or "Did you hear that?" all excited....and sometimes I had no idea what was pleasing him so much.
Will big bands ever come back?
All I knew before the show was that he designed famous guitars, including Paul McCartney's. Learning not only that almost every aspect of amplification and recording was pioneered by him in some way, but that he himself was an extremely accomplished musician, the bridge between Django Reinhardt and Jimi Hendrix, that was the real treat.
I don't know the LPMF version. The PP is pretty. People liked it. I dont know a lot about her, but she did one reaaly neat recording of WITH MY EYES WIDE OPEN I'M DREAMING where she over dubs herself 3 times to make a PP Quartet. It's good. Ballad.remysun wrote:BTW, how did the LP/MF version of "The Tennessee Waltz" differ fro Patti Paige?
Will big bands ever come back?