Familiar vs. unfamiliar music?
Moderators: Mr Awesomer, JesseMiner, CafeSavoy
Since my original post I have come to the same conlsuion you have good is more important then familar . But I think that with new dancers everything is unfamiliar so nothing has become a favorite yet.
I now can easily play allmost all new stuff to a Lindy Hop crowd as long as I don't dwell into one genre, energy level, ot tempo for too long.
I now can easily play allmost all new stuff to a Lindy Hop crowd as long as I don't dwell into one genre, energy level, ot tempo for too long.
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I've seen way too many people wait to hear if they know a song and then go "Oh goodie I love this, I'm gonna go dance" to ever play a night with "almost all new stuff".
On another note, there are songs like Smooth Sailing which was way overplayed in NYC three or so years ago, so everyone stopped playing it for awhile. And now when it's played, there's all these newbies that have never heard it before!
On another note, there are songs like Smooth Sailing which was way overplayed in NYC three or so years ago, so everyone stopped playing it for awhile. And now when it's played, there's all these newbies that have never heard it before!
I'm maybe around 20% --- say I DJ 30 songs in an evening; it seems playing more than 5 or 6 brand new songs is a lot. I'm also a little leary of over-doing this since the worse set I've dj'ed has been where I played way too much new stuff.julius wrote:how much new (to the audience) stuff do you play?
It also depends on the venue; if I'm at a venue with more advanced dancers and an informal atmosphere I may try experimenting more that I would otherwise.
The question is.... "new" to whom?
I've been living here in Seattle for a few months now, and I've somewhat resisted DJing a lot because I'm still figuring out what moves people, as well as what people are familiar with.
In general it seems one can get away with playing less well known stuff here than in my previous hometown.
(edited to say -- this wasn't directed toward your post, Swifty... just coincidence that we both used "" around the word new.)
I've been living here in Seattle for a few months now, and I've somewhat resisted DJing a lot because I'm still figuring out what moves people, as well as what people are familiar with.
In general it seems one can get away with playing less well known stuff here than in my previous hometown.
(edited to say -- this wasn't directed toward your post, Swifty... just coincidence that we both used "" around the word new.)
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I don't know. Sometimes, I'll buy a new version of a favorite piece based on talk on this board or just by pociking up new material. It's got to be good, though. I'm not going to replace a great, swinging piece just because I have some new version. I would rather take it out of my playlists for 2-3 events and bring it back.
I do maybe a little more than 1 in 5 songs as new material, whether new versions of favorites or just new stuff in general. Otherwise, I get caught up in the "must play new music" trap, instead of playing to the floor.
Kalman
I do maybe a little more than 1 in 5 songs as new material, whether new versions of favorites or just new stuff in general. Otherwise, I get caught up in the "must play new music" trap, instead of playing to the floor.
Kalman
"The cause of reform is hurt, not helped, when an activist makes an idiotic suggestion."
If the song is a provenwinner for other DJs, I don't mind playing a lot of "new" stuff. Some of these "new" songs are no doubt overplayed in other scenes.
If it is a song that I have not heard anybody else play or rave about here, I am a lot more cautious about how and when it is played. In those cases, I have to keep my enthusiasm for a new discovery from clouding my judgement as to whether it works on the dancefloor.
If it is a song that I have not heard anybody else play or rave about here, I am a lot more cautious about how and when it is played. In those cases, I have to keep my enthusiasm for a new discovery from clouding my judgement as to whether it works on the dancefloor.
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Personally, even if a choir of angels posted about how great a song was, I wouldn't let it touch an event unless I had a chance to listen and dance to it beforehand.
Just me, though.
I always try to frame my new selections - either within a group of known favorites or whenever energy is highest.
Kalman
Just me, though.
I always try to frame my new selections - either within a group of known favorites or whenever energy is highest.
Kalman
"The cause of reform is hurt, not helped, when an activist makes an idiotic suggestion."
I struggle with what is "new" since I'm still a relative beginner as far as DJ'ing and Seattle has people who have danced longer than I have [6 years] and know music really well as well as having a broad range of musical tastes.Soupbone wrote:The question is.... "new" to whom?
I've been living here in Seattle for a few months now, and I've somewhat resisted DJing a lot because I'm still figuring out what moves people, as well as what people are familiar with.
I found out last night that my favorite version of 'Sent for you Yesterday' [Count Basie w/Mills Bros.] is owned by at least 2 dj's in Seattle who have DJ'ed a long time -- they just don't play that song anymore - although it was new to me.
And I played Mack the Knife from Ella/Duke Cote D'Azur --- a new CD for me, and a great version of the song; one of my friends comes up into the booth and sings all the solos along with Ella ---- so, ok even though that's the first time I spun it, some people know it. It's a great song however, so I'm going to keep playing it as one of my "new" songs for awhile.
Gary and I are Dj'ing together end of the month at the Century --- I'm looking forward to it becuase I think Gary can throw us some surprises --- perhaps some Mound City Blue Blowers?
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Completely new songs - as in I've never ever played that version of that song at any venue I've ever DJed - maybe 1-2 a night. Unless, of course, I just got back from Amoebajulius wrote:how much new (to the audience) stuff do you play?
*edit
sorry this question was meant for dave

But that's getting too picky. To use a gross overgeneralization, I'd say about one third of my songs (at my weekly gig) are songs I've played 3-5 times in the past 5 weeks, one third are songs I've played 1-2 times in the past 5 weeks, and one third are songs I haven't played at all in the past 5 weeks, but still aren't new songs 'cuz I have played them in the past. But don't quote me on that...I'll have to pay more attention the next few weeks.
I think that's a really good guideline.mousethief wrote:I always try to frame my new selections - either within a group of known favorites or whenever energy is highest.
When I hear something new that I like, I always think about what other songs I like that might be good to segue it into. At least for starters. It also makes me remember that song when I play one of my more familiar songs that it's an option. I just try not to get too used to sequing those songs together after awhile, but it's good for starters and I think it's a good gauge if you have a full dance floor before you play the song to see how it's rated on the floor.
You got it!djstarr wrote: Gary and I are Dj'ing together end of the month at the Century --- I'm looking forward to it becuase I think Gary can throw us some surprises --- perhaps some Mound City Blue Blowers?
And next time we see each other, we should talk about how you want to split the night.... I have a favor to ask in that regard! See you at One O' Clock jump or maybe the Puget Sounds Traditional Jazz Society gig on Sunday?