Question about early Jazz
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Question about early Jazz
So someone was explaining to me recently that some early jazz is a mix of 2-beat (Charleston-like) and 4-beat ("Foxtrot") phrasing. Can anyone name recordings that illustrate this?
Mr. Ghost Goes To Town is 2-beat feel. The bass plays on 1 and 3. The rhythm overall is somewhat choppy. Charleston (the dance) is also choppy.
Natch is four beat feel: the bass emphasizes all four beats of each bar equally. In fact the rhythm section plays fairly evenly on all four beats. Lindy hop is much smoother than Charleston. Lindy Charleston, of course, is very smooth.
Natch is four beat feel: the bass emphasizes all four beats of each bar equally. In fact the rhythm section plays fairly evenly on all four beats. Lindy hop is much smoother than Charleston. Lindy Charleston, of course, is very smooth.
Whoops, I misread the question. You're asking for both 2-beat feel and 4-beat in the same song? Listen to Red Hot Pepper from Wynton Marsalis' album "Mr. Jelly Lord". The end of the amazon.com clip transitions into a four beat feel.
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While 2-beats were uses sometimes in the 40's as well, they didn't sound quite the same as a 20's-30's 2-beat. Given that, you could try two Campus Five tunes - "Savoy Blip" which goes back and forth between the two feels, and "Dark Eyes" which starts as a two feel, and then goes to four. Or you could try our version of "Comes Love" which is supposed to be a bit more jungle-y, and also goes back and forth.
Also, (from memory - could be wrong) try "Jam Session" by Benny Goodman, which I believe starts as a 2-beat, and then goes into four.
Also, (from memory - could be wrong) try "Jam Session" by Benny Goodman, which I believe starts as a 2-beat, and then goes into four.
"I don''t dig that two beat jive the New Orleans cats play.
My boys and I have four heavy beats to the bar and no cheating!
--Count Basie
www.campusfive.com
www.myspace.com/campusfive
www.swingguitar.blogspot.com
My boys and I have four heavy beats to the bar and no cheating!
--Count Basie
www.campusfive.com
www.myspace.com/campusfive
www.swingguitar.blogspot.com
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Thanks for the suggestions fellas. Some very interesting music. I love Dark Eyes.
But to refine my question, I'm interested mostly in finding examples from the period, so '25-'35 maybe. Most of the examples you cite sound to me like the 2-beat feel is really a back beat, with the rhythm section going unh-CHUCK-unh-CHUCK. I'm trying to find music that has the synchopated 2-beat feel of a song like Charleston, where the emphasis is on 1 and a heavy 3. chARle-STON, chARle-STON, made in Car-o-LIN-A. Anyone have further suggestions?
Just to be clear, I don't really care if this is music that you would play for a dance. I'm interested just for my own edification.
But to refine my question, I'm interested mostly in finding examples from the period, so '25-'35 maybe. Most of the examples you cite sound to me like the 2-beat feel is really a back beat, with the rhythm section going unh-CHUCK-unh-CHUCK. I'm trying to find music that has the synchopated 2-beat feel of a song like Charleston, where the emphasis is on 1 and a heavy 3. chARle-STON, chARle-STON, made in Car-o-LIN-A. Anyone have further suggestions?
Just to be clear, I don't really care if this is music that you would play for a dance. I'm interested just for my own edification.
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Actually, the "Charleston" rhythm is ONE (two) AND 3 (four) AND.
Like, STEP step tri-PLE step.
Like, STEP step tri-PLE step.
"I don''t dig that two beat jive the New Orleans cats play.
My boys and I have four heavy beats to the bar and no cheating!
--Count Basie
www.campusfive.com
www.myspace.com/campusfive
www.swingguitar.blogspot.com
My boys and I have four heavy beats to the bar and no cheating!
--Count Basie
www.campusfive.com
www.myspace.com/campusfive
www.swingguitar.blogspot.com