Pleasing the Dancers
Moderators: Mr Awesomer, JesseMiner, CafeSavoy
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Pleasing the Dancers
How does a DJ please the dancers? I've heard you're supposed to read the crowd, but are there hints/tricks for successful crowd reading? I DJ a dance where there are a wide variety of dancers (skill level and swing dance preference, whether it's ecs, lindy, bal, blues, etc). Do you read by looking at who's dancing, who's not dancing, etc? I'd appreciate any feedback.
Don't take swing underground!!
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Off the floor tips:
I second that. Find out what individuals enjoy. When I scan a room, then I might think "ah, 10 people who like it fast and monorecorded, 5 who like groove, 1 who will request Manhattan Transfer every night, 10 people who I have no clue about so must watch them, etc."
Have "spies" in the audience. Friends who will give you honest feedback. In one venue, I can't see half the floor from the booth nor the entrance. I can't always know the mix of dancers if they decide to stay in the area of the floor that I can't see. Locals are really cool about ensuring the DJ gets feedback during their shift ("you're doing great." "A slew of beginners just walked in." "Slow it down, everyone is feeling lazy tonight." Etc).
I second that. Find out what individuals enjoy. When I scan a room, then I might think "ah, 10 people who like it fast and monorecorded, 5 who like groove, 1 who will request Manhattan Transfer every night, 10 people who I have no clue about so must watch them, etc."
Have "spies" in the audience. Friends who will give you honest feedback. In one venue, I can't see half the floor from the booth nor the entrance. I can't always know the mix of dancers if they decide to stay in the area of the floor that I can't see. Locals are really cool about ensuring the DJ gets feedback during their shift ("you're doing great." "A slew of beginners just walked in." "Slow it down, everyone is feeling lazy tonight." Etc).
I always like to talk to folks after my set to get their feelings on my set, and what they'd like to hear in general in our scene.
The only problem with this is that your friends may not want to be brutally honest with you because they don't want to hurt your feelings if you're off the mark sometimes. Pick folks whose opinions you can trust.
Platypus - I like the spy thing... will try to work on some folks this week.
Tina
The only problem with this is that your friends may not want to be brutally honest with you because they don't want to hurt your feelings if you're off the mark sometimes. Pick folks whose opinions you can trust.
Platypus - I like the spy thing... will try to work on some folks this week.
Tina

"I'm here to kick a little DJ a$$!"
~ Foreman on That 70s Show
~ Foreman on That 70s Show
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I look at who is not dancing and try to get then on the floor while keeping who is dancing still dancing. Some events, dancers tastes are much to diverse to acomplish this, so I settle with floor rotation.
I also ask people I know if they heard any comments from the crowd after my sets. this way I tend to get honest feedback from the general crowd.
I also ask people I know if they heard any comments from the crowd after my sets. this way I tend to get honest feedback from the general crowd.
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Aside from watching the floor, I ask people if they heard anything positive or negative about my set. When a DJ's set is not being appreciated, there is often chatter on the floor about it. I try to make sure I never cause that kind of chatter.
But, the most important thing is watching the floor and seeing how they react. The number of people sitting out is an important factor too.
If you care that people are dancing and pay attention, it ought to be obvious. Too often, there are DJs up there playing their stuff and not making adjustments. When it is obvious to everybody that energy is low , the crowd is not responding, etc... I guess if you pay attention and care about all the dancers in your crowd, you will figure things out and do fine.
But, the most important thing is watching the floor and seeing how they react. The number of people sitting out is an important factor too.
If you care that people are dancing and pay attention, it ought to be obvious. Too often, there are DJs up there playing their stuff and not making adjustments. When it is obvious to everybody that energy is low , the crowd is not responding, etc... I guess if you pay attention and care about all the dancers in your crowd, you will figure things out and do fine.
- Mr Awesomer
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Play what you like.
If people dance, keep being a DJ.
If no one dances, play DJ to yourself at home.
Problem solved.
If people dance, keep being a DJ.
If no one dances, play DJ to yourself at home.
Problem solved.
Reuben Brown
Southern California
Southern California
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I love the HiveMind.
My friends request or talk about music enough to me that I know what their favorite songs are; if they are in the crowd, or went out of their way to come hear a set of mine, I try to play a song specifically for them (and since they all have good taste, this works for the whole crowd most of the time
).
I've also followed some advice from the HiveMind to get out on the floor more, especially where there are lots of newbies; I have a couple of new leads who I ask to dance regularly now and get feedback on the music from them. It's pretty enlightening. Tempo seems to be more of a factor than genre if you are new.
My friends request or talk about music enough to me that I know what their favorite songs are; if they are in the crowd, or went out of their way to come hear a set of mine, I try to play a song specifically for them (and since they all have good taste, this works for the whole crowd most of the time

I've also followed some advice from the HiveMind to get out on the floor more, especially where there are lots of newbies; I have a couple of new leads who I ask to dance regularly now and get feedback on the music from them. It's pretty enlightening. Tempo seems to be more of a factor than genre if you are new.
I write them down, I don't really keep them long term.kbuxton wrote:Does anyone else write down their setlists every time they dj? I write them down almost every time, but would be chicken to post them for fear of mockerymousethief wrote:Post your sets on SwingDJs and let the Hivemind divine an ideal solution.
I also agree, I am real leery of posting stuff like that online. The swing police is pretty hostile with the Yehoodi lists (will we have a new victim this week?).
Nate you should be happy. yours is no longer the worst set i have ever heard in my entire life.Nate Dogg wrote:I also agree, I am real leery of posting stuff like that online. The swing police is pretty hostile with the Yehoodi lists (will we have a new victim this week?).
-mikey faltesek
"Dancing is the union of the body with the rhythm and the sound of the music." Al Minns in 1984
"Dancing is the union of the body with the rhythm and the sound of the music." Al Minns in 1984