Thanks.

Moderators: Mr Awesomer, JesseMiner, CafeSavoy
Those booths can be so overpriced. The booth at the Seaside, OR festival had Proper sets for $42??? Funny thing is those sets are worth that much IMHOjulius wrote:Most of the "festival circuit" jazz bands are not very web savvy. I recommend going to a trad jazz festival and visiting the CD sales booths in hopes of scoring.
What I thought was cool was that the guy selling CDs at the Puget Sound Trad Society concert had bought up CDs of groups across the country as he travelled; he then resold them here. For example, there were a bunch of Boilermaker CDs...julius wrote:Most CDs at booths are about $15. Given that you can't buy most of the CDs anywhere else, I think that's OK. You can always try dickering a bit too, especially if you buy, like, 10 CDs at a time.
That's cheaper than what I've seen. Most single cd's at Seaside were between $17-$19. The ones in the "Blow-Out" bin were about $15.julius wrote:Most CDs at booths are about $15. Given that you can't buy most of the CDs anywhere else, I think that's OK. You can always try dickering a bit too, especially if you buy, like, 10 CDs at a time.
I think there are a lot of us who like variety. I haven't heard the TH7, but I am a fan of trad jazz, as well as Swing. My perfect night of dancing would feature a set from The Jonathan Stout Big Band (The best big band I've ever heard), a set from The Reynold Brothers, a set from the Stompy Jones, and a closing set again by the JS Big Band. Damn that would be awesome! Throw a set from the Campus Five doing some G5 covers and I'd probably have a dancegasmCampus Five wrote:I have to say I'm a bit mystified by everybody going gaga over the Titan Hot Seven. They play loud and fast - is that all anybody cares about anymore? Bob's great, Jeff's great, but honestly rest of the band is just getting by. I guess they do roll around on their backs when playing - guess I've just seen to it too many times.
I can't stand groove music, but why does the alternative have to be Dixie or Trad stuff. What the hell happened to "Swing"?
I guess I'm just wondering if anybody actually cares about swing music anymore. I feel like if there's no tuba or washboard, or if there's no organ nobody's interested.
I think part of the reason is that, in terms of live music available today, most swing bands play jazz reflective of post-WWII musical elements mixed in with lots of rat pack type crooner music. There are very few bands that play the way that you or say, Mora's Modern Rhythmists play. And even fewer that play for lindy hoppers. Traditional/Dixieland bands on the other had are relatively more plentiful around the country. Then there's also the increased interest in charleston movements which makes that type of music even more appealing.Campus Five wrote:I can't stand groove music, but why does the alternative have to be Dixie or Trad stuff. What the hell happened to "Swing"?
I guess I'm just wondering if anybody actually cares about swing music anymore. I feel like if there's no tuba or washboard, or if there's no organ nobody's interested.
Those modern "jazz" or "rat pack" bands aren't Swing bands. Just as neo-swing and jump blues bands aren't. But, neither are Dixieland bands.JSAlmonte wrote:I think part of the reason is that, in terms of live music available today, most swing bands play jazz reflective of post-WWII musical elements mixed in with lots of rat pack type crooner music. There are very few bands that play the way that you or say, Mora's Modern Rhythmists play.