http://www.playbill.com/news/article/126076.html
Blossom Dearie, Vocalist Whose Wispy Voice Caressed Show Music and Standards, Has Died
By Kenneth Jones
08 Feb 2009
Blossom Dearie, the American singer whose little-girl voice and jazzy piano arrangements offered a unique approach to show tunes and the Great American Songbook, died Feb. 7 at her home in Greenwich Village, according to colleagues.
Cabarethotlineonline.blogspot.com cited Donald Schaffer, her representative, who said that Ms. Dearie, the singer-songwriter-pianist, died after a long illness. She was 82.
Into the 2000s, the blonde Ms. Dearie was tickling the ivories and singing her signature tunes, including "I'm Hip" and "Peel Me a Grape," in the now-defunct Danny's Skylight Room on Restaurant Row in the Broadway theatre district. Salty and seemingly sometimes more committed to her keyboard and mike than to her audience, she was known for telling listeners and waiters to make less noise while she worked. At Danny's, the septuagenarian was not above being a pitchwoman for her CDs, on sale at the venue. Sometimes personally prickly, she nevertheless greeted fans and signed autographs after shows.
Ms. Dearie was born in East Durham, NY, near Albany, in 1926. She reportedly got her first name, Blossom, after a neighbor brought the Dearie family peach-tree blossoms to celebrate her birth. Her given name was Marguerite.
She showed an interest in the piano as a child, and was seduced by jazz over classical. After high school, she moved to New York City. In the late 1940s and '50s, Ms. Dearie sang with jazz bands and plunged into the jazz-club community. She performed in Paris, which led to many fresh contacts for the singer. Norman Granz of Verve Records signed her to a contract of six albums, and the CD re-releases of those discs have now reached new generations.
With her chunky glasses, pageboy haircut and decidedly unsexy look, she nonetheless had a kittenish, wispy voice that was unlike any in pop music. While artists such as Peggy Lee or Julie London boasted smoky sexuality, Ms. Dearie, for decades, always sounded a little bit like a 14-year-old girl caught up in the cigarette smoke and syncopated swirl of the Manhattan club scene.
Her beloved early-career discs include "Blossom Dearie," "May I Come In?," "My Gentleman Friend," "Blossom Dearie Sings Comden and Green," "Once Upon a Summertime," "Give Him the Ooh-La-La" and "Soubrette Sings Broadway." In recent years Verve released two Dearie compilations (in the Diva series and the Jazz Master series) drawing from the label's vaults.
Ms. Dearie also wrote her own songs, collaborating with Johnny Mercer, Jack Segal, Johnny Mandel, Duncan Lamont, Mariah Blackwolf, Sandra Harris, Walter Birchett, Dave Frishberg, Len Saltzberg, Michael Conner, Jim Council and more. Her songs — many recorded in the 1970s and into the 1990s, sometimes boasting unusual "mod" arrangements and singular vocal riffs — include "Bye-Bye Country Boy," "I'm Shadowing You," "Sweet Georgie Fame," "Long Daddy Green," "Flame to Fire," "Touch the Hand of Love," "Winchester in Apple Blossom Time," and more.
Latter-day recordings of her own work were released independently on her own label, Daffodil Records ("Our Favorite Songs," the two-disc "Blossom's Own Treasures"and "Blossom's Planet," among others).
Some of her best known and most loved recordings are of songs by Dave Frishberg, Cy Coleman and Carolyn Leigh, Antonio Carlos Jobim, Cole Porter and Michel Legrand.
Ms. Dearie once told Tony Vellela of the Christian Science Monitor, "I choose material that I like. The music has to be of a certain standard. If the music is no good, I'm not interested in the song."
In 1983 Ms. Dearie was the first recipient of the Mabel Mercer Foundation Award.
A new generation of listeners knew her voice from the 1970s educational cartoon TV series "Schoolhouse Rock!," for which she sang "Figure Eight," "Mother Necessity" and "Unpack Your Adjectives." She also sang obscure show music on the idiosyncratic record producer Ben Bagley's series of "Revisited" series on his own Painted Smiles label.
Blossom Dearie R.I.P.
Moderators: Mr Awesomer, JesseMiner, CafeSavoy
They seem to have left out her arguably most famous recording and collaboration - MOODY'S MOOD FOR LOVE with King Pleasure.
History - Tenor sax man James Moody recorded the famous song I'M IN THE MOOD FOR LOVE and took a long solo. Words were added to the Moody solo by Eddie Jefferson (IIRC) that approximated the original lyric as written circa 1935, but crafted/altered to fit Moody's solo. Jefferson first recorded it, IIRC.
However, Jazz vocalist King Pleasure recorded it, too, and used Blossom Dearie to sing the middle eight bars which on the original Moody recording had been played by piano. Her light, sweet voice was a nice, little change-up between King Pleasure's choruses and I think went into a high range that KP may not have been able to reach.
In the Jazz community, the record was a smash hit in the early 50s and had some cross over action as well.
It's a great, hip record made all the more appealing if you know the song as originally written in 1935, then as played by Moody in the early 50s.
Her chorus - from my memory so please excuse any slight errors-
"What is all this talk about loving me, my sweet?
I am not afraid, not any more, not like before.
Don't you understand me?
Now, baby, please pull yourself together
Do it soon
My soul's on fire
Come on and take me
I'll be what you make me, my darling, my sweet."
Super record. Spend the 99 cents, download it and be hip.
Side note - Back in my younger days when I thought every older black guy was a Jazz fan, an older black guy got into the elevator I was in, so as a 'test', I began quietly 'air singing' the song under my breath - And DAMN if the black guy didn't know it and started singing along! And it's a complex song! Hahahaha! It was GREAT! We were too cool and laughed as we parted company at the next floor.
History - Tenor sax man James Moody recorded the famous song I'M IN THE MOOD FOR LOVE and took a long solo. Words were added to the Moody solo by Eddie Jefferson (IIRC) that approximated the original lyric as written circa 1935, but crafted/altered to fit Moody's solo. Jefferson first recorded it, IIRC.
However, Jazz vocalist King Pleasure recorded it, too, and used Blossom Dearie to sing the middle eight bars which on the original Moody recording had been played by piano. Her light, sweet voice was a nice, little change-up between King Pleasure's choruses and I think went into a high range that KP may not have been able to reach.
In the Jazz community, the record was a smash hit in the early 50s and had some cross over action as well.
It's a great, hip record made all the more appealing if you know the song as originally written in 1935, then as played by Moody in the early 50s.
Her chorus - from my memory so please excuse any slight errors-
"What is all this talk about loving me, my sweet?
I am not afraid, not any more, not like before.
Don't you understand me?
Now, baby, please pull yourself together
Do it soon
My soul's on fire
Come on and take me
I'll be what you make me, my darling, my sweet."
Super record. Spend the 99 cents, download it and be hip.
Side note - Back in my younger days when I thought every older black guy was a Jazz fan, an older black guy got into the elevator I was in, so as a 'test', I began quietly 'air singing' the song under my breath - And DAMN if the black guy didn't know it and started singing along! And it's a complex song! Hahahaha! It was GREAT! We were too cool and laughed as we parted company at the next floor.
http://www.jazzwax.com/2009/02/blossom-dearie.html
Another accounting of her career, but this time mentioning King Pleasure.
James Moody is still alive and well and playing, btw, and may have scored a Grammy last night.
Another accounting of her career, but this time mentioning King Pleasure.
James Moody is still alive and well and playing, btw, and may have scored a Grammy last night.