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Posted: Thu Sep 11, 2003 12:38 am
by CafeSavoy
Roy wrote:"The sound of Harry Edison's trumpet was, after that of Louis Armstrong, perhaps the most instantly identifiable signature in jazz. It could be recognised after just one note. "
You can test yourself on this:
![Image](http://image.allmusic.com/00/amg/cov200/drc600/c640/c64035s393w.jpg)
Posted: Thu Sep 11, 2003 7:17 am
by Roy
Yeah right, i didn't say i could recoginize him in 1 note, but apparently some people can. I do think I can nail Armsrong every time. I have never heard anyone play like him.
Posted: Wed Feb 18, 2004 9:39 am
by kitkat
No one put a "why" for Sidney Bechet, so I thought I'd contribute my opinion:
When he's not playing soprano sax, he still pulls a sound out of the clarinet that resembles one.
I was provoked to write this, however, because though he doesn't quite sound like Bechet, another person I've noticed does the same thing on a clarinet is Darnell Howard.
I need to find more of Howard's music; I heard some on a radio show recommended over on JiveJunction.com (coming out of New Orleans) and liked it just as much as the Wolverine Blues I found over on ITunes a couple of months ago.
Posted: Wed Feb 18, 2004 10:00 am
by mark0tz
Bechet growls with the clarinet like no other. He's never cutesey or overly melodic. He just feels the melody inside, never reading music, and emphatically shouts it out. I think he picked up the Soprano Sax at first because he could be louder and therefore more prominent. That's certainly how I'd describe him when listening to him.
Posted: Wed Feb 18, 2004 1:23 pm
by julius
bechet's signature characteristics are a wide, wide vibrato and an expansive, powerful tone. no delicate piping for him.