I know some make a distinction between blues and jazz-blues. And some jazz musicians
will say they don't play blues. Whereas others will insist on a close relationship:
"For years Mezz strove to play the true Storyville jazz idiom
and was unable to know the underlying blues deep down
that produces the authentic feeling that the best players
conveyed through their horns." --
http://www.redhotjazz.com/reallytheblues.html
So when i read Stomping the Blues, by Albert Murray I found his assertion that jazz is blues interesting. I'm curious if anyone else has read his book.
Here's an outline of his views from a talk he delivered:
Albert Murray, novelist and literary, cultural and music critic, lectures to an audience of about 140 people in McGraw Hall on Oct. 7. Adriana Rovers/University Photography
Murray talked about the blues and jazz as art forms.
He began by pointing out the difference between "having the blues" and "playing the blues" and laid out one of his well-known critical theses: Jazz comes from, and is a form of, blues music.
"The blues is a device for transcending, or at least coping with, adversity," Murray observed, calling jazz the music used to "stomp away the blues." In fact, he said, far from being maudlin, the blues -- as anyone who has been to a blues club knows -- can create an atmosphere that is "downright aphrodisiac."
"You play the blues to get rid of the blues," he said.
Great jazz artists, like all important artists, derive their styles from their predecessors, Murray argued. One could, he said, describe the legendary founder of jazz, turn-of-the-century New Orleans cornetist Buddy Bolden, as the music's Chaucer, and Louis Armstrong, "who influenced all the rest," as its Shakespeare. "There wouldn't have been a Shakespeare without a Chaucer," he said.
The title Train Whistle Guitar, he pointed out, describes the basic sound on which the blues was developed by its African American pioneers -- the sound of a passing train. "The basic thing in the blues is locomotive onomatopoeia," he said.
http://www.news.cornell.edu/Chronicle/9 ... urray.html