What are your favorite songs right now?
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It's not my favorite song, but it's my favorite version of a song. I've always rather liked "Comes Love," but none seemed just right for dancers..
Larry Clinton's "Comes Love" (on this album, for example). (Male vocal.)
As my friend Patrick said, it's got a Benny Goodman "Bei Mir Bist Du Schoen" kind of thing going on.
Larry Clinton's "Comes Love" (on this album, for example). (Male vocal.)
As my friend Patrick said, it's got a Benny Goodman "Bei Mir Bist Du Schoen" kind of thing going on.
- Bob the Builder
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I just heard Charlie Barnet's 'Pow Wow' for the first time...
Last edited by trev on Tue May 23, 2006 5:09 am, edited 1 time in total.
- Segue in C
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I think it's Jimmy Rushing who yells out. You can also hear Billie Holiday prodding Pres on on one song.Matthew wrote:"John's Idea" - Basie, from The Golden Years, Vol. 1 (1937). I especially like the part at about 3:00, when Basie's swingin' hard and somebody yells "Swing it, Count!," and Basie swings it harder!
"We called it music."
— Eddie Condon
— Eddie Condon
- GemZombie
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I remember reading where Basie hated that tune. That it was inspired by John Hammond, and he only did it because he was asked to. I could be thinking of another tune, but I'm pretty sure it was that one.Matthew wrote:"John's Idea" - Basie, from The Golden Years, Vol. 1 (1937). I especially like the part at about 3:00, when Basie's swingin' hard and somebody yells "Swing it, Count!," and Basie swings it harder!
It's also basically the same song as Jumpin' at the Woodside.
On another one (it may be from the Proper set), Basie yells something like, "Speed it up, boys!," and then somebody else yells, "Thank you, Count!" I like that kind of yelling. It makes me think they were focused on the feel of the music, rather than on the specific sound - as though that swinging feeling was more important than the music, itself.
- Segue in C
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Yep - that one rocks the house down. In the riff sections the floor in the venue is scorched and blistered.Matthew wrote:"Grand Terrace Shuffle" - Earl Hines, from CC 1937-1939. What a song!
Also a big fan of the Willie Bryant Rigamarole & Basie's Every Tub.
Dizzy Gillespie's 'Bout to Wail rules in a hard-swinging bop kind of way.
I've spun Teddy Powell's Jamaica Jam and Sidney Bechet's Broken Windmill recently to good effect.
- AlekseyKosygin
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Have you heard the Helen Forrest version on Artie's King Of The Clarinet 3 disc live box set? I think it's tops...kitkat wrote:It's not my favorite song, but it's my favorite version of a song. I've always rather liked "Comes Love," but none seemed just right for dancers..
Larry Clinton's "Comes Love" (on this album, for example). (Male vocal.)
As my friend Patrick said, it's got a Benny Goodman "Bei Mir Bist Du Schoen" kind of thing going on.
Lately I'm super down to play anything on Snowy Morning Blues, James P. covering Fats with drums behind him...actually ANY stride with drums behind the keys is rad...I'm always trying to find more of that stuff...
Alex
- brotherswing
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I'm not sure someone as mentionned it yet, but I found a nice version of "I Wish I Could Shimmy Like My Sister Kate" by Madeleine Peyroux in a live CD called "20 Years of Music-Vol 3". I like it a lot.
I also found a great live version of King Porter Stomp by Glenn Miller at 240bpm with a great energetic solos. The CD is "The Centennial Collection". I nearly hate all the other songs of the CD like most Glenn Miller stuff but this one is unique, together with the live "Jeep Jockey Jump" !
I also found a great live version of King Porter Stomp by Glenn Miller at 240bpm with a great energetic solos. The CD is "The Centennial Collection". I nearly hate all the other songs of the CD like most Glenn Miller stuff but this one is unique, together with the live "Jeep Jockey Jump" !